The *caméra-stylo* concept, emphasizing the director’s personal vision as an author, is central to which film movement?

💡 Explanation:

The term *la caméra-stylo* (the camera-pen) was coined by French film theorist Alexandre Astruc in 1948. It suggests that a director should use the camera to 'write' a film as an author writes a novel, using it as a direct tool for personal expression. This concept is foundational to the Auteur Theory, which was the core philosophical tenet of the French New Wave, championed by directors like Godard and Truffaut.